![]() ![]() Don't bother with the performance they did for DGG/Arkiv, which I think was done in digital, but which features squealier instrument playing, lower energy and comparatively weak ensemble. They did two versions (maybe more?), one in all analogue sound for the CRD label and released in the US on Vanguard-don't know who (if anyone) released this on CD, but THIS IS THE VERSION YOU WANT. The same could be said of Marriner/ASMF on early Argo, and the sound is marginally better on that one, but I tend to prefer I Musici's playing. Gorgeous ensemble and execution in every way, including very good recording, but on modern instruments. I Musici's first stereo version on Philips (surely they released it on CD at some point). What a player.I'll give you some old-school alternatives: Vivaldi’s Summer, with its rushing storms and prickly, insect-ridden heat, sounds more than usually wild, with Steinbacher fearless in the rapid, high-flying outbursts. Both soloist and ensemble approach the contrasting styles – baroque energy and bluesy Latin passion – with supple mastery, bows biting into strings, rhythms accentuated, a mood at times aggressive. Her Four Seasons (Pentatone) with the Munich Chamber Orchestra is intercut with Astor Piazzolla’s Four Seasons of Buenos Aires, written between 19. The German violinist Arabella Steinbacher was hesitant before going into the studio, “but then I thought, well, still this my first recording of it!”. Until, that is, we hear it played by a dazzling interpreter.Įvery violinist wants to tackle these four-concertos-in-one, but keeping them fresh is a challenge. Given its ubiquity, we risk forgetting the heady originality of Vivaldi’s The Four Seasons. My dear friend Peter von Wienhardt did a beautiful arrangement of it, and I am very happy to share this emotional journey with you.”Īrabella Steinbacher, a multi award-winner with an extensive Pentatone discography, is accompanied by the players of the Münchener Kammerorchester, who make their Pentatone debut. It was my great wish to combine the Vivaldi with the completely different Four Seasons by Piazzolla as I love the passion, longing and melancholy in his music so much. But then I thought: well, still this is my first recording of it! And to be honest, I was a bit hesitant to bring out another recording of it after all those hundreds that already exist. Piazzolla’s music is performed here in a new arrangement for violin and string orchestra by Peter von Wienhardt, whose Strauss song arrangements on Steinbacher’s previous album Aber der Richtige … (2018) were extensively praised by the press.Īrabella Steinbacher tells us “Vivaldi‘s Four Seasons is one of the most famous works in music history nearly everybody knows at least parts of it. Coupling them with Piazzolla’s tango inspired Four Seasons of Buenos Aires makes both pieces sound fresher than ever before, thanks to Steinbacher’s personal engagement with the repertoire and the inspired accompaniment of the Münchener Kammerorchester. The enormous popularity of Vivaldi’s Four Seasons tends to make us forget the original and ground-breaking nature of these violin concertos. Star violinist Arabella Steinbacher presents Antonio Vivaldi’s world-famous Four Seasons alongside Astor Piazzolla’s Cuatro estaciones porteñas, creating a lively combination of baroque and tango. Now we are proud to bring you this long-awaited album in full! In December 2019, NativeDSD teamed with Pentatone to bring our listeners a sneak preview of this album with an EP of Winter from Vivaldi’s Four Seasons. ![]() Lively Combination of Baroque and Tango – Exclusively Available in Stereo & 5 Channel DSD 256, DSD 128 and DXD plus Stereo DSD 512 at NativeDSD ![]()
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